Reproduction Drakes Plantation Bitters and Old Sachem Barrel

Among the buzz at the recent FOHBC Show in Manchester, NH was talk about two reproduction bottles: a Drake’s Plantation Bitters and an Old Sachem Bitters barrel. Both were produced in newly made molds, in what would be rare colors for original examples and were made with a fair degree of accuracy.

reproduction-barrel-drakes-plantation

Below is a close-up shot of the Drakes.  Notice the crudely rendered embossing.  On close inspection, the bottle does not say “ST Drakes” like the original but rather “ST FRAKIS”

drakes-plantation-detail

One thing that would alert the experienced collector is the weight of the glass.  The Drakes felt much too heavy compared to the original.  However, the base looked fairly believable:

drakes-plantation-base

The lip finish was much too shiny and precisely executed.  There were none of the usual imperfections one would expect to see on an original.

drakes-plantation-lip

Below is a close up shot of the barrel.  Like the Drake’s, the lip is applied and tooled, but the glass texture is much too perfect to be believed.

old-sachem-barrel-lip

Another close up of the Drake’s (or rather Frakis) embossing:

reproduction-drakes-plantation2

A close up shot of the barrel embossing.   Notice the jagged, wavy rendering of the embossing.   The word WIGWAM looks much more like WICWAM.

reproduction-old-sachem-barrel

A final shot of the Drake’s Plantation reproduction.  It is a beautiful color and would look great in any window, but don’t be fooled.

reproduction-drakes-plantation

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Vintage Four-Chamber bottles

I have seen a number of these clear bottles which contain four separate sections. The first I acquired was probably back in the 1970s when I started collecting.

A typical four section bottle

Newer examples are fitted with plastic pour spouts. I see to remember seeing at least one which was fitted with cork and glass pour spouts.

Presumably, this bottle was fancy gift packaging for the US market. I’m not sure if there is a tradition of marketing such bottles in France and Europe. Many are marked “Bottle Made in France” on the base. The contents from the best that I can tell is not always of French origins. I found one example, mentioned below, which is marked “produced and bottled in Philadelphia.”

Most appear to me to have been produced in the 1970s or later. If they had been produced earlier, US law would have required that the bottle carry the embossing “FEDERAL LAW FORBIDS SALE OR REUSE OF THIS BOTTLE.”

You can often find a number of these multi-section bottles on ebay by searching on “four chamber bottle.”

I have assembled the following information based on labeled examples that I could find:

  • Example 1 – marked “Nuyens” contains: Creme De Menthe, Creme De Cacao, Blackberry Flavored Brandy and Triple Sec.
  • Example 2 – marked “Cointreau” contains: Cointreau, Creme De Menthe, Apricot Brandy and Cacao Chouao. Base is embossed “Bottle Made in France.” We know that at least the Cointreau is a French made liqueur. I am not sure about the others.
  • Example 3 – marked “Marie Brizard” – Anisette, Creme de Cacao, Creme de Menthe, Apry (Apricot Brandy)
  • Example 4 – marked “Jaquin’s – Blackberry Flavored Brandy, Creme De Menthe, Creme de Cacao, Forbidden Fruit
    Produced and bottled by Charles Jaquin et Cie Phila, PA. America’s Oldest Cordial Producer. Base is embossed “Bottle Made in France”
  • Example 5 – marked “Mohawk Fait Main” (hand made) Creme De Menthe, Creme de Cacao,Creme de Banana, Creme de Almond
    Base is embossed “Bottle Made in France.”

Have you seen any earlier or different examples? Do let me know.

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Bottle Makers and Their Marks

Bottle Makers and Their Marks is an important research project undertaken by Jullian Harrison Toulouse which he published in 1971. The book’s publisher, Thomas Nelson, Inc., responded to demand with a second printing a year later. It’s an encyclopedia of knowledge covering the marks found on vintage and antique bottles of the 19th and 20th centuries, both in the US and other countries.

Collectors will find this to be an invaluable resource to research bottles which display embossing from manufacturing firms such as Whitall-Tatum, Owens-Illinois, Clevenger, and many a fruit jar manufacturer. There is plentiful information on dating bottles according to company logos and mold numbers.

Bottle Makers and Their Marks by Toulouse

 

Unfortunately, this book is, like so many amazing reference books on antique bottles, out of print. Chances are you will need to part with at least 50 dollars to get your own copy. I cannot imagine living without a copy; mine is open for reference all the time.

The ISBN #  (hardcover) is 0-8407-4318-1

There is also a soft cover reprint available.

Buy the book at Amazon

 

 

 

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Scroll Flasks

Antique scroll flasks are easy to spot thanks to their distinctive shape.  While aqua is the most commonly found color by far, other brilliant colors (greens, ambers, blues) are not infrequently encountered and fetch top dollar by collectors.  George and Helen McKearin described the scroll (or violin) flasks in their book, American Glass, in the 1940s with details on 51 different molds.  This list was later expanded with many variants in American Bottles and Flasks and Their Ancestry.  Often, the difference between molds for scroll flasks comes down to the precise placement and shape of embossed stars and other details.

 

scroll flasks

A group of scroll flasks in quart, pint and half-pint sizes.

As with all historical flasks, the rarity of bottles of a particular mold is the greatest driver of value.  Color follows closely; collectors pay significantly more for rare colors in any mold over a commonly found aqua example.  Condition is always a consideration – as we often point out here at Historic Glasshouse, even minor damage takes a big bite out of value.

Manufacturing Details

Scroll flasks were made by blowing hot glass into a two piece iron mold.  The hinged mold was then opened and the bottle was removed while still attached to the blowpipe.  An assistant would then attach another rod (called a pontil)  to the base of the bottle.  The glass blower could then detach the bottle from its lip by shearing the still soft glass.  Most often you will find scroll flasks with a plain sheared lip.

sheared-lip

A sheared lip on a historical flask.

 

Some flasks would receive additional work to finish the mouth and lip.    Commonly found are the applied band of glass and, infrequently, an applied lip.  See the group shot above.

Pontil marks

Most 19th century scroll flasks will have a pontil mark (sometimes pontil scar) on the base.  These will most always take the form of a ring of glass (“open pontil”} or a grey metallic circle (“iron pontil”)  Collectors place a value on the quality of the mark – large and bold marks are considered to be more desirable.

open pontil

Open pontil mark on base of historical flask

iron pontil

Iron pontil mark

Damage

Look carefully along the medial rib of the flask for signs of cracks or bruises.  It can be difficult to see cracks especially when the glass is thin.  Be sure to hold the bottle up to the light and rotate it slowly looking for lines in the glass which change as you move the bottle.  Also inspect the base edge and mouth – these are two common areas where chips, bruises and flakes occur with use.

 

Reproductions

How do you tell an original from a reproduction?  Often it is not easy.   I have found that the glass on reproductions is often much heavier than on an original.  However, knowing the right thickness of the glass is a matter of experience.  Another consideration is the size:  I am not aware of any reproductions in the quart size – every one that I have seen is a pint.  Brilliant colors should also be a clue to age; while you will see both originals and reproductions in sapphire blue and various greens, ruby red and  brilliant colors should be at the least a warning sign of a modern piece.

A reproduction scroll flask

This reproduction scroll flask was made by the Imperial Glass Corporation, late 20th century.

The base shows the mark of Imperial Glass

the base shows the mark of Imperial Glass

 

Value

Common aqua scroll flasks will generally fall in the $50 to $150 range, depending on condition and quality.   Deeper aqua hues command a somewhat higher dollar.  Rare molds and better colors easily move the bottle into the $500 to $5000 range.  If you want to get specific about value then submit photos and details via my antique bottle appraisal service.

 

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Last Links to the Past: 20th Century South Jersey Glass – Vol. 1

Tom Haunton has done it again – his latest book on New Jersey glass fills a huge gap in knowledge for the antique bottle and antique glass collector. This first volume has been long awaited: I have been discussing progress on the book with Tom for years now!

Volume 1 has over 800 photos, many of which are in color which are worked in to over 400 pages. A rarity index is included.

Tom has self-published the book; copies are available directly from him. $80 for softbound; $110 for hardbound.

Purchase Tom’s book on ebay or at Amazon

I endeavor to have a complete review of the book in the near future. In the interim, Tom provides much more info here.

 

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A new antique bottle auction record?

If you ask around in the antique bottle community, you will hear that the top price paid for an antique bottle (we are talking empty bottles here to exclude wine) is around $200,000 in a private exchange. Officially, the record stands around $75k.

All that is about to change.

This week at Glass Works auction can be found a rare cobalt blue Columbia / Eagle flask, one of just three known in this rare color. Longtime collectors will remember an example in the same mold and same color which brought $40,000 back in the late 1970s – a record at that time.

Glass Works has a pre-sale estimate on this flask of $150,000 to 200,000. Many collectors I am sure are watching this closely and it will surely be ah hot topic at the upcoming Baltimore Bottle Show.

columbia2

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Byron Springs Discovery – 1848

I stumbled across a reference to the discovery of Byron Springs in New York State – in the December 30, 1848 edition of Scientific America:

“A number of acid springs have been discovered in Byron, Genesee Co., NY. They are strongly impregnated with pure sulfur which increases in strength during a drought. The vegetable matter is killed around them. The water is colorless, and from a spring flows in sufficient quantity to turn a grist mill. A similar spring is known to exist in Persia, Asia, where it is used to make sherbet, as a substitute for lemon.”

Antique bottle collectors will know that this spring became sufficiently popular to spawn a business of bottling its waters. A quart cylinder with the embossing BYRON ACID / SPRING WATER is fairly rare. It was probably blown at the Lockport Glassworks. The bottles bear an iron pontil mark. According to Donald Tucker’s great book on mineral waters, examples are known in Lockport green, amber, deep emerald green, olive, aqua-blue-green and yellow green. The bottle is listed in Tucker’s reference as N-5.

Thanks to a recent Historic Glasshouse visitor for this Byron Springs photo!

A rare deep blue green Byron Acid Springs bottle, mid 19th century.

A rare deep blue green Byron Acid Springs bottle, mid 19th century.

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Masonic Flasks

There are 43 documented molds of 19th century American historical flasks which portray a Masonic design on at least one face of the bottle.  These flasks comprise Group 4 of American Bottles and Flasks and their Ancestry.  In this group, several molds are quite rare and some examples are easily worth 30 to 50 thousand dollars.  It is more likely that the collector or antique dealer would come across more common examples like the GIV-1 made in Keene, New Hampshire.  There are plenty of examples to be found in aqua, although in amethyst it would be considered extremely rare.

 

masonic flask

A classic exaple: the GIV-17 Masonic Flask

Reproductions

There are a considerable number of modern Masonic flasks in existence – I see them frequently on ebay and they are often described as authentic.  With a little bit of study, it is fairly easy to tell the old from the new.  The most obvious indicators are on the base of the bottle:  new examples have a well-defined rim around the outside edge of the base and there is no pontil mark.   On some occasions you will see the embossing, “OLD STURBRIDGE VILLAGE” but it is my experience that most do not have this lettering.  Colors of the reproduction include aqua, brilliant green and sapphire blue.

repro masonic

A reproduction Masonic flask in aqua

base embossing

Old Sturbridge Village embossing on base. Note the well defined rim around the edge.

blue repro Masonic flask

Repro Masonic flask in brilliant sapphire blue

green-repro

Repro Masonic flask in green

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Dr. Richardson’s Bitters – A Complete History

Hats off to Nancy Bertrand for the incredible article on Solon Osmond Richardson, creator of the Dr. Richardson Bitters which is known to so many bottle collectors. Dr. Richarson’s enterprise was quite successful; many bottles of his product remain today.

The product was first produced by Solon’s father, Nathan as early as 1808, Bertrand tells us. Solon took over the business in 1837 after his father passed away.

Like so many medicines of its time, it contained mostly alcohol.

Read the story at http://wakefield.patch.com/articles/history-dr-richardson-s-bitters

Here is a photo of a Dr. Richardson bottle which was re-purposed in the 19th century as a vessel for “Somerset Bourbon” which was sold by N. Douglas Sevin in Norwich, Connecticut.

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Fahnestock, Albree & Company (F A & Co)

Pittsburgh Glass Works, founded by James O’Hara in the late 18th century, operated under a succession of management after 1840.  The glass works was leased to Fahnestock, Albree & Company during the period 1860 to 1863.  Helen McKearin reports no other details about this company except to say the Van Rensselaer found in his research only this company to match the “F A & Co” embossing found on several flasks and bottles.

The embossing can be found on three Group 12 Union and Clasped Hands flasks: the GXII-40 pint, the GXII-42 half-pint and the GXII-42a half-pint.

Add to that the two bottles shown below which turned up on ebay during 2009/2010.  The first is a plain strap-sided whiskey flask which is marked F A & Co on the base. 7 5/8″ tall

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The second is a blob top soda bottle embossed J. CAIRNS on the side and St. LOUIS on the reverse.    Near the base on the reverse is also the embossing  FA & Co. Has a half circle hinge mold seam and is 7-1/2″ tall

[nggallery id=4]

Update:

I have also found a similar aqua squat soda with the embossing H.GRONE & CO ST.LOUIS MO along with the FA & Co embossing.

To further display the range of products that this company produced, here is a base marked fruit jar from the company:

Fahnestock Albree Fruit Jar

full view of the Fahnestock Albree Fruit Jar

and another…

aqua squat soda marked H.C.SCHLIEPER & CO TERRE HAUTE IND is also marked “F A & CO” on the front near the base.

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